Beyond the Release: SAPOΕ’s First Member Event

On Monday, April 20th, the Greek Producers Association (SAPOE) hosted its first-ever event, an evening that brought together producers, industry professionals, and expert speakers for an informative and engaging discussion on two often-overlooked yet crucial topics.

Secondary & Digital Rights

The first session was led by Chris Anderson (Head of Business Development, Lasso) and Myrto Rogan (Royalties & Finance Consultant, Fintage), who presented the landscape of audiovisual secondary rights and digital rights management. Attendees learned how royalties from cable retransmission, private copying, and public performance -collected by organizations across dozens of countries- often go unclaimed by producers, and how existing content such as clips, trailers, and even feature films can be transformed into a steady new revenue stream, particularly through platforms like YouTube. Elli Filippopoulou, a lawyer specialising in intellectual property, was also present to address questions on the relevant legal framework in Greece and internationally.

Long-Term Preservation of Audiovisual Material

The second session was led by Dimitris Polyzos, post-production supervisor and editor, who presented a practical checklist for the proper archiving and long-term storage of audiovisual material, outlining which files producers are obliged to preserve, which storage methods and equipment to use, and how correct archiving practices ensure the continued exploitation of all rights associated with a production for years to come.

Many thanks to Grant Thornton Greece for their generous sponsorship, which made this event possible.

Statement by the Greek Producers Association

The Greek Producers Association (SAPOE) expresses its surprise, indignation, and deep concern for the future regarding censorial practices adopted by EKKOMED regarding independent research and documentary filmmaking in Greece.

By means of a evidently unlawful decision, one that directly infringes upon the constitutionally protected freedom of expression and information, on 15 December 2025 (just one week after its initial approval) EKKOMED revoked the inclusion of the documentary “17N, Rise and Fall” by the esteemed and highly experienced journalist Alexis Papachelas in the audiovisual production support programme (cash rebate scheme). According to the revocation decision, the stated reason was “the participation of a person convicted of terrorism who remains unrepentant regarding his actions” (para. 23 of the revocation decision).

In this instance, the EKKOMED administration assumes the role of guardian of public order and overriding public interest (para. 27 of the revocation decision) in order to justify its reversal a mere week after approving the funding. As though Greece’s consolidated democracy and public order were endangered by the brief appearance of a convicted terrorist in a documentary created by a journalist widely respected for decades for the quality, depth, objectivity, and multi-dimensional treatment of historical, social, and political issues. This is particularly striking when a book of several hundred pages authored by the convicted individual is freely available on the market, and when he has previously given interviews to the print press.

This decision violates the Greek Constitution, the Charter of Fundamental Rights of the European Union, and the European Convention on Human Rights, as it constitutes an act of censorship incompatible with a democratic state governed by the rule of law. The extension of such reasoning risks leading down a slippery slope of censorship – one which, in Greece, has not disappeared but continues to manifest itself with increasing intensity (from attacks on works of art at the National Gallery to protests by extremist groups and legal actions targeting documentary film posters).

Furthermore, the decision contradicts the very legal framework governing the cash rebate scheme, as established by Law 5105/2024, which contains explicit provisions specifying the types of works that may be excluded by their nature. Unless EKKOMED considers that the documentary’s intent is to glorify, justify, or legitimise terrorism in any way, an assertion notably absent from the decision itself, and one that, if articulated, would verge on the absurd.

We call upon all those involved in artistic creation in this country, as well as all who believe that citizens possess the judgment, discernment, and intellectual capacity to evaluate what they see according to their own aesthetic and critical criteria -from a painting to a poster, from a documentary film to a commercial advertisement- to remain vigilant.

SAPOE Welcomes the Ratification of Convention on Co-Production of Television Series

The Greek Producers Association (SAPOE) welcomes the ratification by the Council of Europe of the Convention on Co-Production of Audiovisual Works in the form of television series, an important milestone for the European audiovisual industry.

The Convention formally recognises international co-productions of television series, facilitates access to national funding mechanisms, and promotes fair and structured collaboration among European partners. At the same time, it strengthens cultural diversity across Europe and establishes a clearer institutional framework for independent producers, addressing gaps that have long existed in the national legislative landscape.

We extend our sincere thanks to the Greek Ministry of Culture for its handling of the process and for its contribution to Greece’s ratification of the Convention. SAPOE actively supported this effort through sustained advocacy, consultations with EKΚOMED representatives, and other relevant in-person meetings.

The ratification marks a substantial step forward for our sector, reinforcing the growth potential of domestic production and opening new avenues for European collaboration.

EAVE Producers Workshop in Thessaloniki

The third and final session of the 2025 EAVE Producers Workshop begins today in Thessaloniki, due to welcome 98 “future partners” (leading international industry professionals) to meet the 53 rising producing talents from 35 countries and discuss the 27 fiction, documentary and series projects developed during this year’s EAVE Producers Workshop under the guidance of EAVE’s top experts.

The annual Producers Workshop, the flagship of EAVE’s activities, is a program that selects up-and-coming producers and trains them on how to work, develop, and network in the competitive global audiovisual sector.

The Greek Producers Association had the honour and pleasure of co-organizing this year’s third session in Thessaloniki with the EAVE team, securing part of the budget and contributing to the program’s design. This was made possible thanks to the valuable assistance of our sponsors, whom we warmly thank for their support.

In collaboration with the Thessaloniki International Film Festival & AGORA, and supported by EKKOMED Hellenic Film & Audiovisual Centre, Region of Central Macedonia, Film Office Central Macedonia, ERT, COSMOTE TELEKOM, Cinobo, Oxbelly, the Athens Film Office and Grant Thornton Greece.